Cultural Politics (ISSN: 1743-2197) is an international, refereed journal that explores the global character and effects of contemporary culture and politics. It analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined and resolved. In doing so, the journal explores precisely what is cultural about politics and what is political about culture. It investigates the marginalized and outer regions of this complex and interdisciplinary subject area.
John Armitage, Winchester School of Art, University of Southampton, UK
Ryan Bishop, Winchester School of Art, University of Southampton, UK
Douglas Kellner, University of California, Los Angeles, USA
Mark Featherstone, Book Reviews Editor
Deborah Frizzell, Arts Editor (2016 - )
Joy Garnett, Arts Editor emeritus (2005-2016)
Cultural Politics is published three times a year in March, July and November by Duke University Press.
It's first seven volumes (March 2005 - November 2011) were published by Berg (Oxford, UK).
Access all articles online.
This site, http://CulturalPolitics.org, aggregates Artist Projects published in the journal. It is maintained by Joy Garnett.
Each issue includes unique projects by visual artists that reflect contemporary cultural and political issues, solicited and edited by Deborah Frizzell (Arts Editor 2005-2016: Joy Garnett; Arts Editor for 2005: Louise K. Wilson).
Artist projects (2005-2016) include works by Stephen Andrews, Brandon Ballangée, Kathe Burkhart, Paul Chan, Hsin-Mei Chuang, Jordan Crandall, Christos Dikeakos, Gair Dunlop, Yevgeniy Fiks, Phyllis Galembo, Joy Garnett, Joy Gerrard, Susan Hamburger, David Humphrey, Zoe Leonard, Dominic McGill, Julia Meltzer & David Thorne, Arnold Mesches, Richard Mosse, Carrie Moyer, Steve Mumford, Sarah Peters, Leon Phillips, Mira Schor, George Shaw, Nancy Spero and others.
Cultural Politics is a welcome and innovative addition. In an academic universe already well populated with journals, it is carving out its own unique place—broad and a bit quirky. It likes to leap between the theoretical and the concrete, so that it is never boring and often filled with illuminating glimpses into the intellectual and cultural worlds. ~Lawrence Grossberg, University of North Carolina, USA.