Despite my long-time appreciation of Kenneth Tin-Kin Hung's totally nutso work, I was amazed to see his name pop up and form the entire focus of Roberta Smith's review of the current show at Postmasters. Also in the show, but not mentioned in the review, is the fabulous MTAA "Karaoke Deathmatch 100" -- a MUST SEE (click image below for Quicktime.)
via NYTimes Art in Review, July 20, 2007:
NOT YOUR PARENTS' MTV:
Music Videos From Hell
459 West 19th Street, Chelsea
Through July 28
Several of the summer’s gallery group shows are dominated by one outstanding work. Here, among mostly credible riffs on or departures from the music-video convention, the big draw is Kenneth Tin-Kin Hung’s “Because Washington Is Hollywood for Ugly People.” A hilarious, scarifying portrayal of the nation’s leadership and its machinations around the war in Iraq, this work is exhibited inside a newsprint structure that is part mosque, part United States Congress.
The video itself adds very sharp teeth and a bit of scatology to the hot colors and dense collages of 1960s psychedelia. Its low-tech animation allows images to function as independent wholes and as part of the action, and it is perfectly backed by the music of MC Paul Barman, careering wildly between disco and rant. In total, it is like the cover of the Beatles’ “Sgt. Pepper” album or the credits of the Monty Python television show, with jet fuel.
Born in Hong Kong, Mr. Hung earned a bachelor’s degree in art from San Francisco State University in 2001 and now lives in New York. He has exhibited in digital and Internet art shows and festivals around the world and a few San Francisco galleries but is most visible on his Web site, tinkin.com. According to the site’s biography of the artist, this brashly beautiful, furious work is his first to be shown in New York. Take notice. ROBERTA SMITH