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  • Comedies of Fair U$e: slides and audio

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    A Search for Comity in the Intellectual Property Wars: symposium at The New York Institute for the Humanities at NYU, April 28-30, 2006 [slides, audio, transcripts]

  • THE FAIR USE NETWORK

    Pen THE FAIR USE NETWORK: INFORMATION & RESOURCES FOR FREE EXPRESSION

    The Fair Use Network was created because of the many questions that artists, writers, and others have about "IP" issues. Whether you are trying to understand your own copyright or trademark rights, or are a "user" of materials created by others, the information here will help you understand the system — and especially its free-expression safeguards.

  • Order your fair use report now!


    Brennanreport
    Will Fair Use Survive? Free Expression in the Age of Copyright Control
    , by Marjorie Heins and Tricia Beckles.

    [read the sneak preview or download the report [PDF]

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February 28, 2008

Up with Jen Bekman!

28bekman1650

...I've never met Jen Bekman, but I totally love her
:

via NYTimes, 2/28/08, Easing the Pain of Collecting:

[...] There are the neo-Classical-style white marble lamps she bought on eBay when she returned to New York jobless after the bust and could barely afford the $90.

And there are the photographs, paintings and drawings that fill walls that were bare until recently, accumulated during her latest incarnation: as an increasingly influential art world insider.

Few people in that world had heard of Ms. Bekman five years ago, when she used credit cards and the $20,000 in her 401(k) to open Jen Bekman Gallery, on Spring Street near the Bowery.

She had no experience to speak of — she had never even bought a photograph or a painting — but she did have two clear goals: to help emerging artists become more appreciated, and to encourage a broader swath of people to feel comfortable buying art.

To further those aims, she initiated several online projects, including Hey, Hot Shot! (heyhotshot.com), a regular  competition for emerging photographers that offers winners representation by the gallery; and personism.com, a blog about photography, design and current events.

In September Ms. Bekman introduced another Web site, 20x200.com, which sells limited-edition high-quality prints of photographs and fine art for as little as $20. Almost at once, the site was in the black and gaining attention.

[read full article]

For more discussion see ed_winkleman: Egalitarian Issues in Art Buying.

February 27, 2008

Frank Rich: Clinton Kool-Aid

24richlarge

via NYTimes:

Op-Ed Columnist
The Audacity of Hopelessness
By FRANK RICH
Published: February 24, 2008

WHEN people one day look back at the remarkable implosion of the Hillary Clinton campaign, they may notice that it both began and ended in the long dark shadow of Iraq.

It's not just that her candidacy's central premise -- the priceless value of "experience" -- was fatally poisoned from the start by her still ill-explained vote to authorize the fiasco. Senator Clinton then compounded that 2002 misjudgment by pursuing a 2008 campaign strategy that uncannily mimicked the disastrous Bush Iraq war plan. After promising a cakewalk to the nomination -- "It will be me," Mrs. Clinton told Katie Couric in November -- she was routed by an insurgency.

The Clinton camp was certain that its moneyed arsenal of political shock-and-awe would take out Barack Hussein Obama in a flash. The race would "be over by Feb. 5," Mrs. Clinton assured George Stephanopoulos just before New Year's. But once the Obama forces outwitted her, leaving her mission unaccomplished on Super Tuesday, there was no contingency plan. She had neither the boots on the ground nor the money to recoup.

That's why she has been losing battle after battle by double digits in every corner of the country ever since. And no matter how much bad stuff happened, she kept to the Bush playbook, stubbornly clinging to her own Rumsfeld, her chief strategist, Mark Penn. Like his prototype, Mr. Penn is bigger on loyalty and arrogance than strategic brilliance. But he's actually not even all that loyal. Mr. Penn, whose operation has billed several million dollars  in fees to the Clinton campaign so far, has never given up his day job as chief executive of the public relations behemoth Burson-Marsteller. His top client there, Microsoft, is simultaneously engaged in a demanding campaign of its own to acquire Yahoo.

Clinton fans don't see their standard-bearer's troubles this way. In their view, their highly substantive candidate was unfairly undone by a lightweight showboat who got a free ride from an often misogynist press and from naïve young people who lap up messianic language as if it were Jim Jones's Kool-Aid. Or as Mrs. Clinton frames it, Senator Obama is all about empty words while she is all about action and hard work.

But it's the Clinton strategists, not the Obama voters, who drank the Kool-Aid. The Obama campaign is not a vaporous cult; it’s a lean and mean political machine that gets the job done. The Clinton camp has been the slacker in this race, more words than action, and its candidate’s message, for all its purported high-mindedness, was and is self-immolating.

The gap in hard work between the two campaigns was clear well before Feb. 5. Mrs. Clinton threw as much as $25 million at the Iowa caucuses without ever matching Mr. Obama's organizational strength. In South Carolina, where last fall she was up 20 percentage points in the polls, she relied on top-down endorsements and the patina of inevitability, while the Obama campaign built a landslide-winning organization from scratch at the grass roots. In Kansas, three paid Obama organizers had the field to themselves for three months; ultimately Obama staff members outnumbered Clinton staff members there 18 to 3.

In the last battleground, Wisconsin, the Clinton campaign was six days behind Mr. Obama in putting up ads and had only four campaign offices to his 11. Even as Mrs. Clinton clings to her latest firewall -- the March 4 contests -- she is still being outhustled. Last week she told reporters that she "had no idea" that the Texas primary system was "so bizarre" (it's a primary-caucus hybrid), adding that she had "people trying to understand it as we speak." Perhaps her people can borrow the road map from Obama's people. In Vermont, another March 4 contest, The Burlington Free Press reported that there were four Obama offices and no Clinton offices as of five  days ago. For what will no doubt be the next firewall after March 4, Pennsylvania on April 22, the Clinton campaign is sufficiently disorganized that it couldn't file a complete slate of delegates by even an extended ballot deadline.

This is the candidate who keeps telling us she's so competent that she'll be ready to govern from Day 1. Mrs. Clinton may be right that Mr. Obama has a thin résumé, but her disheveled campaign keeps reminding us that the biggest item on her thicker résumé is the health care task force that was as botched as her presidential bid.

Given that Mrs. Clinton and Mr. Obama offer marginally different policy prescriptions -- laid out in voluminous detail by both, by the way, on their Web sites -- it's not clear what her added-value message is. The "experience" mantra has been compromised not only by her failure on the signal issue of Iraq but also by the deadening lingua franca of her particular experience, Washingtonese. No matter what the problem, she keeps rolling out another commission to solve it: a commission for infrastructure, a Financial Product Safety Commission, a Corporate Subsidy Commission, a Katrina/Rita Commission and, to deal with drought, a water summit.

As for countering what she sees as the empty Obama brand of hope, she offers only a chilly void: Abandon hope all ye who enter here. This must be the first presidential candidate in history to devote so much energy to preaching against optimism, against inspiring language and -- talk about bizarre -- against democracy itself. No sooner does Mrs. Clinton lose a state than her campaign belittles its voters as unrepresentative of the country.

Bill Clinton knocked states that hold caucuses instead of primaries because "they disproportionately favor upper-income voters" who “don’t really need a president but feel like they need a change." After the Potomac primary wipeout, Mr. Penn declared that Mr. Obama hadn't won in "any of the significant states" outside of his home state of Illinois. This might come as news to Virginia, Maryland, Washington and Iowa, among the other insignificant sites of Obama victories. The blogger Markos Moulitsas Zúniga has hilariously labeled this Penn spin the "insult 40 states" strategy.

The insults continued on Tuesday night when a surrogate preceding Mrs. Clinton onstage at an Ohio rally, Tom Buffenbarger of the machinists' union, derided Obama supporters as "latte-drinking, Prius-driving, Birkenstock-wearing, trust-fund babies." Even as he ranted, exit polls in Wisconsin were showing that Mr. Obama had in fact won that day among voters with the least education and the lowest incomes. Less than 24 hours later, Mr. Obama received the endorsement of the latte-drinking Teamsters.

[read on...]

Ben Neill - Posthorn @ Issue Project Room

Mutant

About Ben Neill
BEN NEILL is a composer, performer, and inventor of the mutantrumpet, a hybrid electro-acoustic instrument. Through his use of interactive computer technologies, Neill creates a unique musical and visual experience, melding the worlds of electronic music, jazz, pop culture and visual media. [more]

 

About SEM
Founded in 1970 by Petr Kotik, S.E.M. Ensemble is dedicated to the
performance and advancement of new music. Kotik established The
Orchestra of the S.E.M. Ensemble in 1992, with its Carnegie Hall
performance of "A Tribute to John Cage." Since this concert, SEM
Orchestra has toured Europe five times and, in 1997, performed at the Toru
Takemitsu Memorial Concert in Tokyo. In New York, the orchestra has
presented major concerts at Alice Tully Hall, Merkin Concert Hall, the
Winter Garden of the World Financial Center, and Willow Place Auditorium
in Brooklyn. SEM Orchestra has released recordings on Wergo, Asphodel, and
Dog w/a Bone labels.

8pm $10

ISSUE Project Room
at the (oa) can factory
232 Third Street - Brooklyn, NY  11215
www.issueprojectroom.org

Telephone
718-330-0313

Inquires/Mailing List
info@issueprojectroom.org

DIRECTIONS
MASS TRANSIT

F and G trains   to CARROLL ST-SMITH ST stop
Walk East down Third St over Gowanus Canal to Third Av = 5 min walk

F, M AND R trains   to NINTH ST-FOURTH AVE stop
Walk North on Fourth Av. West on Third St to Third Av = 5 min walk

February 26, 2008

Scoundrel Time @ Iona College Art Center, Feb 25-Apr 17, 2008

Stones_2

Stones (2003) 60 x 78 inches. Oil on canvas.

Dear readers: apologies for sporadic posting, but I just finished installing my second solo show in two weeks, at Iona College's art gallery. This second show consists of a selection of earlier work, and since this is a college art gallery, I decided it might be interesting to print out some of my source materials and pin them up on a central wall in the gallery. The show is part of a campus-wide forum on issues of appropriation, plagiarism, and Creative Commons, with lectures to be held April 2 (scroll down) -- I'll be joined in discussion by the brilliant Laura Quilter.

[images]

Solo exhibition of paintings and source imagery from 2000-2006, at Iona College Art Center. Illustrated brochure available on request.

February 25 - April 17, 2008

opening reception: Sunday, March 2, 1-3pm

Iona College
Brother Kenneth Chapman Gallery
715 North Avenue
New Rochelle, NY 10801

Lecture + panel discussion with Joy Garnett & public policy attorney Laura Quilter:

"Joywar: Intellectual Property & the Myth of Originality." Appropriation in the visual arts, the legal, aesthetic, moral and academic implications of the creative commons and fair use.

Wednesday, April 2, 7pm
The Christopher J. Murphy Auditorium

Admission FREE

DIRECTIONS:
By Car;

By Railroad and Subways:

Metro North Railroad - New Haven Line to New Rochelle Station. Exit North Avenue and take a taxi to the Gallery [or #45 bus to College (bus runs Monday through Friday)].

West Side IRT subway (uptown), change at 180th Street for 241st Street- White Plains Road train. At White Plains Road and 241st Street take #42 bus to North Avenue and Main Street, New Rochelle. Transfer to #45 bus to College (bus runs Monday through Friday).    

By Amtrak North East Corridor Service
to New Rochelle Station. Exit to North Avenue and take a taxi or #45 bus to College (bus runs Monday through Friday).

 

February 21, 2008

Spiral Jetty: Smithson's words

Sj_14

Of interest, in view of the current issues of drilling near the Spiral Jetty, are the writings of Robert Smithson, lest we forget what his work--and the Jetty--are all about. Here are excerpts from "The Spiral Jetty," pp.111-113, The Writings of Robert Smithson, edited by Nancy Holt, New York University Press, 1979; in this segment he describes first coming upon the site where he decided to build the Jetty (all images courtesy of newsgrist):

...Driving west on Highway 83 late in the afternoon, we passed through Corinne, then went on to Promontory. Just beyond the Golden Spike Monument, which commemorates the meeting of the rails of the first transcontinental railroad, we went down a dirt road in a wide valley. As we traveled, the valley spread into an uncanny immensity unlike the other landscapes we had seen. The roads on the map became a net of dashes, while in the far distance the Salt lake existed as an interrupted silver band. Hills took on the appearance of melting solids, and glowed under amber light. We followed roads that glided away into dead ends. Sandy slopes turned into viscous masses of perception. Slowly, we drew near to the lake, which resembled an impassive faint violet sheet held captive in a stony matrix, upon which the sun poured down its crushing light. An expanse of salt flats bordered on the lake, and caught in its sediments were countless bits of wreckage. Old piers were left high and dry.  The mere sight of the trapped fragments of junk and waste transported one into a world of modern prehistory. The products of a Devonian industry, the remains of a Silurian technology, all the machines of the Upper Carboniferous Period were lost in those expansive deposits of sand and mud.

Sj_6

Two dilapidated shacks looked over a tired group of oil rigs. A series of seeps of heavy black oil more like asphalt occur just south of Rozel Point. For forty or more years people have tried to get oil out of this natural tar pool. Pumps coated with black stickiness rusted in the corrosive salt air. A hut mounted on pilings could have been the habitation of "the missing link." A great pleasure arose from seeing all those incoherent structures. This site gave evidence of a succession of man-made systems mired in abandoned hopes.

About one mile north of the oil seeps I selected my site... This site was a rotary that enclosed itself in an immense roundness. From that gyrating space emerged the possibility of the Spiral Jetty. No ideas, no concepts, no systems, no structures, no abstractions could hold themselves together in the actuality of that evidence. My dialectics of site and nonsite whirled into an indeterminate state, where solid and liquid lost themselves in each other. It was as if the mainland oscillated with waves and pulsations, and the lake remained rock still. The shore of the lake became the edge of the sun, a boiling curve, an explosion rising into a fiery prominence. Matter collapsing into the lake mirrored in the shape of a spiral. No sense wondering about classifications and categories, there were none...

...Here is a reinforcement and prolongation of spirals that reverberates up and down space and time. So it is that one ceases to consider art in terms of an "object." The fluctuating resonances reject "objective criticism," because that would stifle the generative power of both visual and auditory scale. Not to say that one resorts to "subjective concepts," but rather that one apprehends what is around one's eyes and ears, no matter  how unstable or fugitive. One seizes the spiral, and the spiral becomes a seizure...

...The rationality of a grid on a map sinks into what it is supposed to define. Logical purity suddenly finds itself  in a bog, and welcomes the unexpected event...

Sj_13

...On the slopes of Rozel Point I closed my eyes, and the sun burnt crimson through the lids. I opened them and the Great Salt Lake was bleeding scarlet streaks. My sight was saturated by the sight of red algae circulating in the heart of the lake, pumping into ruby currents, no they were veins and arteries sucking up the obscure sediments. My eyes became combustion chambers churning orbs of blood blazing by the light of the sun. All was enveloped in a flaming chromosphere; I thought of Jackson Pollock's Eyes in Heat (1964; Peggy Guggenheim Collection). Swirling within the incandescence of solar energy were sprays of blood. My movie would end in sunstroke. Perception was heaving, the stomach turning, I was on a geologic fault that groaned within me. Between heat lightning and heat exhaustion the spiral curled into vaporization. I had the red heaves, while the sun vomited its corpuscular radiations. Rays of glare hit my eyes with the frequency of a Geiger counter. Surely, the storm clouds massing would turn into a rain of blood. Once, when I was flying over the lake, its surface seemed to hold all the properties of an unbroken field of raw meat with gristle (foam); no doubt i was due to some freak wind action. Eyesight is often slaughtered by the other senses, and when that happens it becomes necessary to seek out dispassionate abstractions. The dizzying spiral yearns for the assurance of geometry. One wants to retreat into the cool rooms of reason. But no, there was Van Gogh with his easel on some sun-baked lagoon painting ferns of the Carboniferous Period. Then the mirage faded into the burning atmosphere...

Sj_16

Vote Obama (2008): A Project by Ken Corbett

Obamarama

via email [thanks Sal!]:

Vote Obama (2008)

{A Project by Ken Corbett}

On the evening before the New York presidential primary, as I left my studio, I was greeted by an installation on a community bulletin board. I was immediately captured by the spontaneous gesture of the piece – its good will and hope, and how readily those states resonated with what I was feeling about the following day.

I took a picture of the piece, and have reproduced that image on 5,000 postcards. I’ve bundled the cards in groups of 5 in 1,000 envelopes.

Here is my wish, and my plea for your help:

1.         Please send the 5 cards (postage is already affixed to each card) to 5 people you know in various parts of the country.  Range far and wide.  I would be most happy to see these cards make their way to all 50 states.

2.         You will note that on the back of each card, the recipient is instructed to take the card and post it on a community bulletin board (at a day-care center, retirement home, store, lamp-post, workplace lunch room, library…).  And, if they are able, to take a picture of the posted card with a digital camera or the camera in their phone, download the image, and send it to kencorbett@earthlink.net, along with a short note detailing the card’s new location.

I plan to collect the returned images as a book along with a short essay on the psycho-political action of hope, and the work of community art.

Hoping, Ken Corbett

For postcards, please send your postal address to kencorbett@earthlink.net

February 19, 2008

Feeble Shut-down of Wikileaks.org Tests First Amendment

Wikileaks
Some time last year, NEWSGrist reblogged an entry about a site called Wikileaks: (via CLANCCO) Wikileaks: Cryptographic Document Leaking; from their site:

"Wikileaks is developing an uncensorable Wikipedia for untraceable mass document leaking and analysis. Our primary interests are oppressive regimes in Asia, the former Soviet bloc, Sub-Saharan Africa and the Middle East, but we also expect to be of assistance to those in the west who wish to reveal unethical behavior in their own governments and corporations. We aim for maximum political impact; this means our interface is identical to Wikipedia and usable by non-technical people. We have received over 1.2 million documents so far from dissident communities and anonymous sources."

The New York Times reports today that the site has been ordered shut and now stands as a test case for the First Amendment as it applies to Internet activism (etc):

Web Site That Posts Leaked Material Ordered Shut
By ADAM LIPTAK and BRAD STONE
Published: February 19, 2008

In a move that legal experts said could present a major test of First Amendment rights in the Internet era, a federal judge in San Francisco on Friday ordered the disabling of a Web site devoted to disclosing confidential information.

The site, Wikileaks.org, invites people to post leaked materials with the goal of discouraging "unethical behavior" by corporations and governments. It has posted documents concerning the rules of engagement for American troops in Iraq, a military manual concerning the operation of prison at Guantánamo Bay, Cuba, and other evidence of what it has called corporate waste and wrongdoing.

The case in San Francisco was brought by a Cayman Islands bank, Julius Baer Bank and Trust. In court papers, the bank claimed that "a disgruntled ex-employee who has engaged in a harassment and terror campaign" provided stolen documents to Wikileaks in violation of a confidentiality agreement and banking laws. According to Wikileaks, "the documents allegedly reveal secret Julius Baer trust structures used for asset hiding, money laundering and tax evasion."

On Friday, Judge Jeffrey S. White of the Federal District Court in San Francisco granted a permanent injunction ordering Dynadot of San Mateo, Calif., the site’s domain name registrar, to disable the Wikileaks.org domain name. The order had the effect of locking the front door to the Wikileaks.org site -- a largely ineffectual action that kept back doors to the site, and several copies of it, available to sophisticated Web users who knew where to look.

Domain registrars like Dynadot, Register.com and GoDaddy.com provide domain names -- the Web addresses users type into browsers — to Web site operators for a monthly fee. Judge White ordered Dynadot to disable the Wikileaks.org Web address and "lock" it to prevent the organization from transferring the name to another registrar.

The feebleness of the action suggests that the bank, and the judge, did not understand how the domain system works or how quickly Web communities will move to counter actions they see as hostile to free speech online.

The site itself could still be accessed at its Internet Protocol (IP) address (http://88.80.13.160/) -- the unique number that specifies a Web site-s location on the Internet. Wikileaks also maintained "mirror sites," which are copies of itself, usually to insure against outages and this kind of legal action. These sites were registered in countries like Belgium (http://wikileaks.be/), Germany (wikileaks.de), and the Christmas Islands (http://wikileaks.cx) through domain registrars other that Dynadot, and so were not affected by the injunction.

Fans of the site and its mission rushed to publicize those alternate addresses this week. They have also distributed copies of the sensitive bank information on their own sites and via peer-to-peer file sharing networks.

In a separate order, also issued on Friday, Judge White ordered Dynadot and Wikileaks to stop distributing the bank documents. The second order, which the judge called an amended temporary restraining order, did not refer to the permanent injunction but may have been an attempt to narrow it.

Lawyers for the bank and Dynadot did not respond to requests for comment. Judge White has scheduled a hearing in the case for Feb. 29.

In a statement on its site, Wikileaks compared Judge White's orders to ones eventually overturned by the Unites States Supreme Court in the Pentagon Papers case in 1971. In that case, the federal government sought to enjoin publication of a secret history of the Vietnam War by The New York Times and The Washington Post.

"The Wikileaks injunction is the equivalent of forcing The Times's printers to print blank pages and its power company to turn off press power," the site said, referring to the order that sought to disable the entire site.

The site said it was founded by dissidents in China and journalists, mathematicians and computer specialists in the United States, Taiwan, Europe, Australia and South Africa. Its goal, it said, is to develop "an uncensorable Wikipedia for untraceable mass document leaking and analysis."

Judge White's order disabling the entire site "is clearly not constitutional," said David Ardia, the director of the Citizen Media Law Project at Harvard Law School. "There is no justification under the First Amendment for shutting down an entire Web site."

The narrower order, forbidding the dissemination of the disputed documents, is a more classic prior restraint on publication. Such orders are disfavored under the First Amendment and almost never survive appellate scrutiny.

You can access Wikileaks directly through its IP address:

http://88.80.13.160/wiki/Wikileaks

or through its mirror sites:

http://wikileaks.be
http://wikileaks.de
http://wikileaks.cx

more info:


dBTechno

Cayman Island Bank Gets Wikileaks Taken Offline in US
Wired News - 21 hours ago
In a pretty extraordinary ex-parte move, the Julius Baer Bank and Trust got Dynadot, the US hosting company for Wikileaks, to agree not only to take down ...
'Whistleblower' website shut by US court over bank documents AFP
Swiss bank forces US arm  of whistleblower website to close CBC News
Swiss bank obtains injunction against whistleblower site Director of Finance online
CIO Today - G4 TV
all 83 news articles »


WikiLeaks Under Fire
Slashdot - Feb 18, 2008

...The WikiLeaks whistle blower, allegedly former vice president of the Cayman Islands branch of swiss bank Julius Baer, states in the WikiLeaks documents that the bank supported tax evasion and money laundering by its clients from around the world. WikiLeaks alternate names remained available until Saturday, when there seems to have been a heavy DDoS attack and a fire at the ISP. The documents in question are still available on other WikiLeaks sites, such as wikileaks.be, and are also mirrored on Cryptome. Details of the court documents have also been made available."


Related
(via NYTimes)
:

Permanent Injunction (pdf)
Temporary Restraining Order (pdf)
Wikileak.org Blog
Citizen Media Law Project

See also, via Wikileaks:

Full correspondence between Wikileaks and Bank Julius Baer

 

Mental over Monet (2 Stolen Paintings Found near Mental Hosp.)

Mn_monet_robbery_zur172
Hunt for Stolen Art Leads to Parked Car
"Poppy Field at Vetheuil" by Claude Monet was one of the works taken while the private E.G. Bührle Collection was still open. E.G. Bührle Collection image via Associated Press

via SFGate:

2 Stolen Paintings Found by Swiss
By ERNST E. ABEGG, Associted Press Writer
Tuesday, February 19, 2008 | (02-19) 07:06 PST ZURICH, Switzerland (AP) --

Two Impressionist paintings stolen in one of Europe's largest art thefts have been recovered in an abandoned car, police said Tuesday.

The pictures by Vincent van Gogh and Claude Monet were among four paintings worth $163 million that were stolen from a private museum in a Feb. 10 armed robbery.

The two other paintings taken from the E.G. Buehrle Collection — one by Edgar Degas and the other by Paul Cezanne — remain missing, Philipp Hotzenkoecherle, commandant of the Zurich city police, told reporters.

The recovered paintings — Monet's "Poppy field at Vetheuil" and van Gogh's "Blooming Chestnut Branches" — were discovered in a parking lot in front of a Zurich mental hospital on Monday. It was unknown how long the white sedan in which the paintings were found had been parked there, Hotzenkoecherle said.

The pictures, worth a combined $64 million, are in good condition and were found still under the glass behind which they were displayed in the museum, he said. They were identified by museum director Lukas Gloor after a thorough inspection.

"I am incredibly relieved that two paintings have returned," Gloor told a news conference. "We're very happy that both the paintings are in absolutely impeccable shape."

Zurich police spokesman Marco Cortesi said he did not know whether a ransom had been paid to recover the paintings. Gloor, standing next to him, said, "I can't give any information on that."

Gloor said the two paintings still missing includes "our collection's landmark "Boy in the Red Waistcoat."

That painting, by Cezanne, alone is worth $91 million. The other painting is Degas'"Ludovic Lepic and his Daughter."

Local radio station Radio 24, citing an unidentified witness, reported that the building supervisor at the hospital found the paintings in an unlocked car.

The hospital is only a few hundred yards from the museum.

Police sealed off the hospital grounds and forensic experts went over the vehicle meticulously before it was towed away.

Police initially said the vehicle may have been used by the three robbers when they made their escape with the four paintings from the museum.

"Connections with other arts thefts in the country and abroad are being examined," said Cortesi.

___

Associated Press writers Onna Coray in Zurich and Eliane Engeler and Alexander G. Higgins in Geneva contributed to this report.

February 15, 2008

Metropolitan Snow

snow, MMA

Michele Maccarone: Gloves Off

144eventpagematmm1_500

...first noticed @ anaba...

via EXHIBITIONIST,
by the Boston Globe's arts writer, Geoff Edgers:

Christoph Büchel's Rep: Don't Work With MoCA Lawyers

February 13, 2008 04:19 PM

Michele Maccarone, Christoph Büchel's New York rep., has already promised to tell her artists and collector contacts not to deal with Mass MoCA. Now, Maccarone has written a letter urging the folks involved with LA25 to pull out of a program it is doing with Skadden, Arps, Slate, Meagher & Flom LLP. That's the law firm that represented Mass MoCA.

Here's Maccarone's letter, [first published here.]

To: John Baldessari, Kris Kuramitsu, Weston Naef, Cathy Opie, Ann Philbin, Paul Schimmel; and the Deans or Chairs of: Art Center College of Design, California Institute of the Arts, Claremont Graduate University, Otis College of Art and Design, University of California in Irvine, University of California in Riverside, University of California in Los Angeles, and the University of Southern California

January 29, 2008

Re: LA25

Dear Colleagues,

In the summer of 2006, the law firm of Skadden, Arps, Slate, Meagher & Flom LLP (Skadden Arps) announced a three-year program, LA25, intended to aid twenty-five artists from a select group of Southern California art schools and university art departments. I write to you in order to bring to your attention the fact that Skadden Arps is also the law firm that counseled and represented the Massachusetts Museum of Contemporary Art (Mass MoCA), probono, in Mass MoCA's recent lawsuit against artist Christoph Büchel. As you may know, Mass MoCA sued Mr. Büchel in order to obtain a court ruling allowing them to distort and exhibit Mr. Büchel's artwork without his consent.

I find it very ironic and deeply unsettling that Skadden Arps has initiated this program and collection using the existing professional and highly-respected institutions in the Los Angeles art community, all the while counseling and representing an institution that not only disseminated false and negative press about an artist, but also strategically initiated a lawsuit which claimed that either Mr. Büchel's project was not art, or alternatively that the Museum was the co-author of Mr. Büchel's unfinished art work.

The lawyers of Skadden Arps were so aggressive and manipulative in their tactics against Mr. Büchel that they are now responsible, along with MassMoCA, in establishing an unprecedented decision which made it legal for a museum to exhibit an unfinished and unauthorized installation by an artistagainst her or his consent. The negative historical consequences of this matter remain to be seen, but ostensibly the impact of this aggressive and manipulative maneuver by an art institution and its representative is frightening.

I write to urge you to not participate in putting together a collection for a corporation who has challenged the authority and authenticity of a fine contemporary artist, and simultaneously diminished legal protections for the very same visual artists we all help produce, educate, nourish and support.

Yours truly,

Michele Maccarone
Maccarone Gallery
New York City

(Via Geoff Edgers, Via Clinton)