"On Message (detail #94)," 2005
Stephen Andrews
crayon on parchment, 8.5" x 11" each
VISUAL AIDS announces BETWEEN TEN Exhibition
Hosted by International AIDS Conference in Toronto
@
SPIN Gallery
1100 Queen Street West
Toronto
Canada
August 14-18, 2006
Reception: Tuesday, August 15 from 7:00 - 9:00 pm
AIDS2006 -- International AIDS Conference
XVI International AIDS Conference, Toronto, Canada
www.aids2006.org
View selections from the exhibition online.
participating artists:
Stephen Andrews
Joe De Hoyos
Nancer LeMoins
Luna Luis Ortiz
Eric Rhein
Steed Taylor
Albert Winn
Visual AIDS
is proud to present the exhibition "Between Ten" in conjunction with
the XVI International AIDS Conference in Toronto, Canada, from Aug.
13-18, 2006. The exhibition showcases the work of seven artists
bracketing the 10 years since the introduction of HAART (highly active
antiretroviral therapy) in 1996. "Between Ten" provides an insightful
look into diverse works by artists who continue to live with HIV/AIDS.
About the artists:
Albert Winn is a Los
Angeles-based photographer who has been documenting his changing body
and Jewish identity for over a decade in the series My Life Until Now, included in the exhibition are Self-Portrait with Scott, 1991; Tony From the Writing Group, 1996; After the Cocktail, 2000; and Before My Fourth Sculptra Treatment, 2006.
From San Francisco, Joe De Hoyos
has been creating paper collages culled from magazines for almost 20
years, recycling and re-appropriating images to speak about AIDS, sex,
family, and American life. In the series Eulogy, he creates memorials to those who died of AIDS, such as Keith Haring, Al Parker, Ryan White, and Sylvester. His collages convey his ideas in poetic terms, as in Rainbow Viral Load,
which speaks of AIDS, but, as De Hoyos states, "visually it is composed
of graphic dots and tiny images of various objects -- the dots being
the 'virus' and the objects being the 'load.'"
Nancer LeMoins is a
printmaker from San Francisco whose works have directly addressed AIDS
activism and her experience living with HIV with urgent images and
text, like AIDS Isn't Over?, Sleep Cry Eat, The Only Devils, and Death and Decay.
LeMoins states, "Art for me is the purest portrait of any time or
event. I want very strongly to assure that this epidemic is understood
and remembered as humans who lived through it, as their lives and pain,
emotions and deaths, and not simply as statistics in a history book."
Luna Luis Ortiz is
a photographer and AIDS activist from New York City. He began
photographing "after I became HIV positive in 1986 at age 14, since
then I started to document my life through self-portraits," including Glow Toy and Pensive State.
Later he turned his attention to his friends. His portraits show the
constructed glamour and tender beauty of his life in the ballroom
community.
New York City-based Eric Rhein was one of the first 10 artists to join the Archive Project. His ongoing Leaf Project
pays tribute to people the artist has known who died of complications
from AIDS. Rhein says, "The project which began in 1996 with tributes
to 80 individuals now numbers some 170, mirroring the ongoing AIDS
struggle." In his series Anthropomorphosis,
his delicate wire drawings and constructions represent the
transformative relationship among human, nature, and the spiritual
world.
Stephen Andrews is
a Toronto-based, conceptual artist. His body of work is diverse in
theme and form, but often re-appropriates images from the media and
repositions them to discuss chance, mortality, and memory. In his Weather series, landscape images of clouds and storms, see Storm Front, are printed on pig intestines and allegorically address the daily shifting of emotions across a psychological landscape. On Message
is a series of some 30 drawings creating a short animated video, in
which images and text are shuffled and reshuffled to tell four
different stories. The drawings re-create the look of four-color
reproduction through the use of a homemade separation technique, and
are done as rubbings using window screening and crayons.
Steed Taylor is
based in New York City and has exhibited his photography, drawings, and
site-specific, public works internationally. Of his series Missing,
Taylor states, "While trying to address my AIDS diagnosis and fold this
information into my art practice, I decided to explore what my life
would look like if I was removed from it. Focusing on the most romantic
and bucolic time of life, childhood, I selected the warmest photographs
of my childhood. I marked myself out of these images, then cropped and
enlarged and re-photographed them." Some examples of these include Watching TV, The Little Car, and Catching Tadpoles. Taylor's ongoing site-specific Road Tattoo
memorials are "composed of cultural designs previously appropriated to
mark skin and placed in locations of individual or community
significance." His most recent Road Tattoo, Messenger, is a tribute to NYC bike messengers.