I attended a fascinating discussion last week about appropriation and visual art in the context of historical precedent and recent developments in copyright law. This panel was part of the annual College Art Association conference, but because of the interest in the topic, it was open to the public and held at the New York City Bar Association, at 42 W. 44th Street. The panelists included the Hon. Pierre Leval, who first articulated the "transformative" test critical to all artists confronted with copyright infringement claims.
Here is my re-cap of the session via NEWSgrist, 2/17/07:
Reexamining Appropriation: CAA Takes Over NYC Bar
Reexamining Appropriation:
The Copy, the Law, and Beyondheld Friday, February 16, 10:00 am - 12:30 pm: New York City Bar Association
PROGRAM:
Inappropriate? Copying in the Renaissance
Lisa Pon, Meadows School of the Arts, Southern Methodist University heldThe Reign of the Quotation–Appropriation and Its Audience
Johanna Burton, Princeton UniversityFrom Appropriation to Postproduction
Jaimey Hamilton, University of Hawai'i, ManoaAppropriation v. Piracy, Round Two?
The Hon. Pierre N. Leval, United States Court of Appeals for the Second Circuit
William Patry, Senior Copyright Counsel, GoogleChairs:
Martha Buskirk, Montserrat College of Art;
Virginia Rutledge, Cravath, Swaine & Moore LLP
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