via Artnet News, 2-23-07 :
ART AND CORRUPTION IN VENICE
by Ben Davis {links/images courtesy GoldwaterLibrary.org}The 52nd Venice Biennale, June 10-Nov. 21, 2007, makes a historic gesture towards Africa by including a substantial exhibition drawn from the Sindika Dokolo African Collection of Contemporary Art in the impressive spaces of the Arsenale. But now, the unsavory political and business activities of the people behind the collection are raising questions that could well prove an embarrassment to the venerable art fest.
Selected to represent Africa by a panel of international experts appointed by Biennale curator Robert Storr [see Artnet News, Feb. 13, 2007] [see also: Goldwater post, Feb.14, 2007], the collection, based in Luanda, Angola, is explicitly being presented not just for the quality of its 600 works -- which include pieces by artists from 21 African nations -- but "to draw attention to the Sindika Dokolo initiative as a signal undertaking within the context of art patronage in Africa generally." In other words, it is explicitly presented as a feather in the cap for Congolese collector Sindika Dokolo.
But who is Sindika Dokolo? An internet search turns up few references, the most informative being a 1999 Common Ground radio interview about the economic situation in the Congo, in which Dokolo is cited as representing Congolese business interests ("dressed impeccably in a double-breasted suit") blaming the collapse of the country’s banking system on then-leader Laurent Kabila, who had recently toppled the 32-year regime of Joseph Mobutu-Sese Seko.
Le liquidateur Mupepe Lebo, président du Conseil d'administration de la Sggi. PHOTO LE SOFT NUMÉRIQUE.
Further research reveals an alternative story, however. A July 2006 article in the French-language newspaper La Conscience titled "The Dokolo Affair" alleges that under the Mobutu regime, Sindika Dokolo's father, Sanu, created the Bank of Kinshasa, which channeled money to members of his own family -- including his son Sindika, then still a minor -- bilking the state and normal depositors of more than $80 million dollars when it imploded in 1986. Given the scope of the economic devastation left behind by the Bank of Kinshasa, the issue is apparently still very much alive -- the article cites Mupepe Lebo, an independent auditor investigating the Dokolos' legal maneuverings to keep the money, who accuses Sanu Dokolo's heirs of "mafia-like" activity.