A chapter by Garnett on the Abushady Archive will appear in Cultural Entanglement in the Pre-Independence Arab World: Arts, Thought, and Literature, edited by Anthony Gorman and Sarah Irving (forthcoming from I.B. Tauris).
Cultural Entanglement includes chapters by Idriss Jebari, Hussam Ahmed, Alia Musallam, Raphael Cormack, Elena Chiti, Yasmine Taan, and others. The material draws on a workshop held at the Centre for Advanced Study of the Arab World (CASAW), University of Edinburgh.
Categories
- "Arrival": FULL BLEDE (2019) (1)
- 3 Quarks Daily Interview (2019) (1)
- Abushâdy Family (7)
- Abushâdy's Journals (1)
- Acknowledgements (1)
- Annie & Zaky Abushady (1)
- Apollo (1)
- Arabic Lit Interview (1)
- Archive: Discoveries (1)
- Article: Baraza (1)
- Article: Bee World (1)
- Article: Hyperallergic (1)
- Article: Ibraaz (1)
- Articles (6)
- Artist Bio (1)
- AZ Abushady (1)
- Bee World (1)
- Chapter (I.B. Tauris) (1)
- Chapter (Ping Pong) (1)
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- Contact (1)
- Edham the Atheist (1)
- Editions (1)
- Exhibitions (2)
- Hoda Abushady (1)
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- MESA (1)
- Misc (4)
- NYU Radical Archives (1)
- Press (1)
- Projects (1)
- Ramzy Abushady (1)
- Safeya Abushady (1)
- The Bee Kingdom (2)
02/10/2019
FULL BLEDE excerpt (2019)
JANUARY 2019 ISSUE SEVEN: THE CONTINUANT FREE
An excerpt from Garnett's memoir-in-progress appears in the January issue of FULL BLEDE, a broadsheet of contemporary art and writing. The issue was launched along with an exhibition at noysky projects in Hollywood.
FULL BLEDE is independently published, designed, and curated by Sacha Baumann.
FREE ($5 shipping + handling)
Order your copy here.
Facts Become the Enemy: Joy Garnett, The Bee Kingdom
3 Quarks Daily
Facts Become the Enemy: Art and Archives. A Conversation with Joy Garnett on “The Bee Kingdom”
Posted on Feb 4, 2019 1:25AM
by Andrea Scrima
What does an artist do with boxes and boxes of archival material? And what if it belongs to her late Egyptian poet beekeeping grandfather? I had the pleasure of interviewing Joy Garnett for my 3QuarksDaily column–and now, you’ll have the pleasure of reading it. But you can also follow her on Facebook to witness the writing and image pairings of a work in progress.
03/31/2017
Projects
The following is a selection of recent works by Joy Garnett that reflect her engagement with source materials in The Bee Kingdom Archive.
1)
Title: Abushâdy’s Complete Specification, 1919
Date: 2014
Medium: Lithography on rag paper
Dimensions: 15 x 11 inches (unframed)
Edition of 25 + 5 A/P
Printed at broderpress, New York
Information about source image.
Exhibitions: FOODshed: Art and Agriculture in Action, curated by Amy Lipton at Smack Mellon, Brooklyn, NY June 7 to July 27, 2014
2)
Title: Caricature of A.Z. Abushâdy by Mohamed Fridon, 1928
Date: 2014
Medium: Lithography on rag paper
Dimensions: 15 x 11 inches (unframed)
Edition of 25 + 5 A/P
Printed at broderpress, New York
Information about source image.
Exhibitions: FOODshed: Art and Agriculture in Action, curated by Amy Lipton at Smack Mellon, Brooklyn, NY June 7 to July 27, 2014
3)
Title: The Bee Kingdom. Date: 2012. Medium: Ink on denril. Dimensions: 8 x 13-1/2 inches. My rendition of The Bee Kingdom logo, an illustration commissioned by Abushady in 1930 for his Egyptian apiary and scientific journal. The original drawing is by an Austrian illustrator in Cairo named Paul Beer.
Title: Abushâdy the Poet (selection from the series Edham the Atheist)
Date: 2013
Medium: Digital print
Dimensions: 12 1⁄2 x 16 1⁄2 inches
Edition of 10, plus 1 AP
Information about the series.
Exhibitions: The Wayland Rudd Collection, a project by Yevgeniy Fiks. Winkleman Gallery, New York, January 17 – February 22, 2014; First Floor Gallery, Harare, Zimbabwe, June 20-August 7, 2014.
4)
Title: Abushâdy the Poet (selection from the series Edham the Atheist)
Date: 2013
Medium: Digital print
Dimensions: 12 1⁄2 x 16 1⁄2 inches
Edition of 10, plus 1 AP
Information about the series.
Exhibitions: The Wayland Rudd Collection, a project by Yevgeniy Fiks. Winkleman Gallery, New York, January 17 – February 22, 2014; First Floor Gallery, Harare, Zimbabwe, June 20-August 7, 2014.
5)
Title: Edham the Atheist (selection of six images from a larger series)
Date: 2013
Medium: Digital prints
Dimensions: 33 x 38 inches (16 1⁄2 x 12 1⁄2 inches each)
Edition of 10, plus 1 AP
Information about the series.
Exhibitions: The Wayland Rudd Collection, a project by Yevgeniy Fiks. Winkleman Gallery, New York, January 17 – February 22, 2014; First Floor Gallery, Harare, Zimbabwe, June 20-August 7, 2014.
6)
Title: Edham the Atheist (detail)
Date: 2013
Medium: Digital print
Dimensions: 16 1⁄2 x 12 1⁄2 inches
Edition of 10, plus 1 AP
Information about the series.
Exhibitions: The Wayland Rudd Collection, a project by Yevgeniy Fiks. Winkleman Gallery, New York, January 17 – February 22, 2014; First Floor Gallery, Harare, Zimbabwe, June 20-August 7, 2014.
7)
Title: Edham the Orientalist (from the painting series Tracing the Covers of Nonexistent Books, 2013-2015)
Date: 2013
Medium: Oil on birch panel
Dimensions: 16 x 12 inches
Information about the series.
Exhibitions: The Wayland Rudd Collection, a project by Yevgeniy Fiks. Winkleman Gallery, New York, January 17 – February 22, 2014.
8)
Title of installation: Piss & Vinegar (art and ferment)
Date: 2014
Medium: Mixed media installed on a shelf: Two framed limited edition prints; bottled artisanal red wine vinegar with label adaptation of Dr. Abushady’s letterhead; bamboo recipe box containing 4x6 inch photographs documenting The Apis Club (ca.1920s) and vinegar-making process (ca.2013); 10x8" framed photograph of Zaky and Annie Abushady at The Apis Club ca. 1920.
Dimensions: Variable
Information about the project.
Exhibitions: FOODshed: Art and Agriculture in Action, curated by Amy Lipton at Smack Mellon, Brooklyn, NY June 7 to July 27, 2014
9)
Title of installation: Piss & Vinegar (art and ferment)
Date: 2015
Mixed media. Bottles of artisanal red wine vinegar fermented in small batches by the artist; recipe box with photographs.
“Piss & Vinegar (art and ferment)” reflects the pioneering spirit of the artist’s grandparents: Egyptian poet and beekeeper Ahmed Zaky Abushady and his English wife Annie. As steward of their archive, Garnett produces works that reflect its intertwining narratives. The installation for FOODshed includes bottles of Garnett’s home-fermented red wine vinegar, labeled with an adaptation of Abushady’s bee logo, with photo-documentation of the Abushady apiaries as well as Garnett’s vinegar-making process.
Joy Garnett's “Piss & Vinegar” appears in the form of anecdote and recipe in The Artists' and Writers' Cookbook, edited by Natalie Eve Garrett (powerHouse Books, 2016).
Exhibitions: FOODshed: Art and Agriculture in Action, curated by Amy Lipton at CR10, Linlithgo, NY August 8 to September 5, 2015
03/28/2017
The Bee Kingdom (journal)
Covers:
11/17/2015
NYPL: The Bee Kingdom
A few days spent the New York Public Library.....
11/15/2015
Al-Adab, 1955
[Thanks again to Esmat El-Halaby]
Al-Adab, 1955, Vol.3, no. 8:
In Memoriam: A.Z. Abushady (1892-1955)
Abu Shadi poet Rebel p. 12-13 PDF
Personal profile of Abu Shadi p. 13-14 PDF