« September 2012 | Main | November 2012 »
October 30, 2012 at 08:53 PM in Current Affairs, Ephemera, Futures | Permalink | Comments (0)
Reblog
(0)
| |
| |
|
Watch video on Youtube
About the South Ferry Station renovation (NYTimes):
Image via http://www.starnstudio.com/mta_sf.html
The Starn twins, Doug, left, and Mike, at the new South Ferry station, with their installation “See It Split, See It Change.”
By MELENA RYZIK
Published: December 14, 2008
In the grays of winter, the last stop on any subway line can have a lonely, ominous feel. But when the new $530 million South Ferry station, the terminus of the No. 1 train, opens in January, it will have some added luminosity, thanks to a site-specific installation by the artists Doug and Mike Starn. Commissioned by the Arts for Transit program of the Metropolitan Transportation Authority, the installation, “See It Split, See It Change,” includes curved floor-to-ceiling glass walls laced with silhouettes of trees, a marble mosaic of a vintage topographic map of Manhattan, and other imagery drawn from nearby Battery Park.
Although it is the first public artwork by the Starns, 47-year-old identical twins who work in Brooklyn, they view it as integral to a continuing project, “Structure of Thought,” rooted in their preoccupation with time and natural bonds. “The tree series goes back about 10 years,” Doug Starn said on a tour of the station last week. “It’s about —— ”
“It’s about the conveyance of something,” Mike Starn said. The brothers finish each other’s sentences as a matter of course. “We saw the subway system as a conveyance, where connections are made.”
“Tubes and things,” his brother added.
The work at South Ferry, more than three years in the planning and execution, is among the largest Arts for Transit has ever undertaken. And at more than $1 million, it is the most expensive to date, said Sandra Bloodworth, the program’s director, who said she hoped it would also be among the most durable.
“We believe in building it for it to be there forever, without any intervention by man,” Ms. Bloodworth said. The South Ferry terminal, which is entirely new, was built beneath the existing 103-year-old South Ferry station and financed mostly by the federal government as part of a broader effort to rebuild Lower Manhattan after the Sept. 11 attacks.
October 30, 2012 at 06:51 PM in Art World, Current Affairs, Futures, Public Art | Permalink | Comments (0)
Reblog
(0)
| |
| |
|
Watch video on Youtube
October 29, 2012 at 01:33 PM in Barbarians in Govt, Current Affairs, Election, Futures | Permalink | Comments (0)
Reblog
(0)
| |
| |
|
Image Via
The New Yorker’s Endorsement of Barack Obama
{excerpt}
The choice is clear. The Romney-Ryan ticket represents a constricted and backward-looking vision of America: the privatization of the public good. In contrast, the sort of public investment championed by Obama—and exemplified by both the American Recovery and Reinvestment Act and the Affordable Care Act—takes to heart the old civil-rights motto “Lifting as we climb.” That effort cannot, by itself, reverse the rise of inequality that has been under way for at least three decades. But we’ve already seen the future that Romney represents, and it doesn’t work.
The reëlection of Barack Obama is a matter of great urgency. Not only are we in broad agreement with his policy directions; we also see in him what is absent in Mitt Romney—a first-rate political temperament and a deep sense of fairness and integrity. A two-term Obama Administration will leave an enduringly positive imprint on political life. It will bolster the ideal of good governance and a social vision that tempers individualism with a concern for community. Every Presidential election involves a contest over the idea of America. Obama’s America—one that progresses, however falteringly, toward social justice, tolerance, and equality—represents the future that this country deserves.
October 28, 2012 at 03:23 PM in Current Affairs, Election, Futures | Permalink | Comments (0)
Reblog
(0)
| |
| |
|
Via The Nation:
Mitt Romney's Bailout Bonanza {excerpt}
It all starts with Delphi Automotive, a former General Motors subsidiary whose auto parts remain essential to GM’s production lines. No bailout of GM—or Chrysler, for that matter—could have been successful without saving Delphi. So, in addition to making massive loans to automakers in 2009, the federal government sent, directly or indirectly, more than $12.9 billion to Delphi—and to the hedge funds that had gained control over it.
One of the hedge funds profiting from that bailout— $1.28 billion so far—is Elliott Management, directed by Paul Singer. According to The Wall Street Journal, Singer has given more to support GOP candidates—$2.3 million—than anyone else on Wall Street this election season. His personal giving is matched by that of his colleagues at Elliott; collectively, they have donated $3.4 million to help elect Republicans this season, while giving only $1,650 to Democrats. And Singer is influential with the GOP presidential candidate; he’s not only an informal adviser but, according to the Journal, his support was critical in helping push Representative Paul Ryan onto the ticket.
Singer, whom Fortune magazine calls a “passionate defender of the 1%,” has carved out a specialty investing in distressed firms and distressed nations, which he does by buying up their debt for pennies on the dollar and then demanding payment in full. This so-called “vulture investor” received $58 million on Peruvian debt that he snapped up for $11.4 million, and $90 million on Congolese debt that he bought for a mere $20 million. In the process, he’s built one of the largest private equity firms in the nation, and over decades he’s racked up an unusually high average return on investments of 14 percent.
Other GOP presidential hopefuls chased Singer’s endorsement, but Mitt chased Singer with his own checkbook, investing at least $1 million with Elliott through Ann Romney’s blind trust (it could be far more, but the Romneys have declined to disclose exactly how much). Along the way, Singer gained a reputation, according to Fortune, “for strong-arming his way to profit.” That is certainly what happened at Delphi.
..
We turn now to a major new exposé on the cover of The Nation magazine called "Mitt Romney’s Bailout Bonanza: How He Made Millions from the Rescue of Detroit." Investigative reporter Greg Palast reveals how Republican presidential nominee Mitt Romney made some $15 million on the auto bailout and that three of Romney’s top donors made more than $4 billion for their hedge funds from the bailout. Palast’s report is part of a film-in-progress called "Romney’s Bailout Bonanza." Palast is the author of several books, including recently released New York Times bestseller, "Billionaires & Ballot Bandits: How to Steal an Election in 9 Easy Steps." [includes rush transcript]
Greg Palast, investigative reporter who has tracked Romney’s "vulture" fund partners for five years for BBC Television’s Newsnight. He is the author of the recently released New York Times bestseller, Billionaires & Ballot Bandits: How to Steal an Election in 9 Easy Steps. His new Nation exposé is called "Mitt Romney’s Bailout Bonanza: How Mitt and Ann Made Millions — and Mitt’s Hedge Fund Donors Made Billions — from the Auto-Industry Rescue that He Condemned."
October 28, 2012 at 03:14 PM in Barbarians in Govt, Current Affairs, Election, Futures | Permalink | Comments (0)
Reblog
(0)
| |
| |
|